- How to analyze and review a movie after you watch it.
- How to analyze movie plots.
- How to analyze the characters and special effects.
- How to write reviews of movies, documentaries, and even songs.
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AFTER YOU WATCH THE MOVIE
When I write a review, I do my best to cover all aspects of filmmaking that went into creating the final product, including:
WRITING THE REVIEW
After I have all of my thoughts down, I take as much into consideration as I can and then work on the flow. I put a lot of care into the organization of my review, and make sure my thoughts are read in a cohesive manner to help my audience understand where I’m coming from. I prioritize what’s most important to include and let the rest go.
Hands down, the most important component to address in a movie review is how it made you feel. Anyone can write a summary of a film or create lists about the highlights. But good reviews should convey to the audience how the movie resonated with you.
If you don’t put your voice into your critique, your audience will find it difficult to understand your perspective, connect with you as a reviewer, and most importantly, they may not be able to trust your opinion. And if they don’t trust you, they wont come back to read more of your work. And you want your review to provide value to the reader, right?
I want to ensure that my thoughts encourage readers to create a constructive discussion around the film, or help them decide whether or not the movie is for them. And hopefully, the audience will have as much fun reading my review as I did writing it.
Adapted from Source
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Example: The text judges which styles are nice and which are not. False
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This lesson’s creator, for instance, loves “Little Miss Sunshine”. It’s not the best movie ever, but the characters are amazing and she feels really good after watching it.
Describing Movies
Films
Acting
Plot
Special Effects & Soundtrack
Historic Present
The present tenses can be used to informally tell stories to cause an effect on the listener, that’s the Historic Present. It can also be used to summarize movie plots.
( ) Astonishing or awe-inspiring in quality, so as to take one’s breath away.
( ) Impressively splendid.
( ) Dynamic; high-powered
(1) Firmly holding the attention or interest.
( ) A thing of great power or size, in particular a movie, book, or other product that is a great commercial success.
(5) Astonishing or awe-inspiring in quality, so as to take one’s breath away.
(4) Impressively splendid.
(3) Dynamic; high-powered
(1) Firmly holding the attention or interest.
(2) A thing of great power or size, in particular a movie, book, or other product that is a great commercial success.
Example: Blockbuster > A thing of great power or size, in particular a movie, book, or other product that is a great commercial success.
far-fetched
unimaginative
twists
moving
( ) a radical change in the direction or expected outcome of the plot in a work of fiction.
( ) difficult to believe and unlikely to be true.
( ) stirring or evoking strong feelings or emotions, especially touchingly or pathetically.
( ) not readily using or demonstrating the use of the imagination; stolid and somewhat dull.
far-fetched
unimaginative
twists
moving
(3) a radical change in the direction or expected outcome of the plot in a work of fiction.
(1) difficult to believe and unlikely to be true.
(4) stirring or evoking strong feelings or emotions, especially touchingly or pathetically.
(2) not readily using or demonstrating the use of the imagination; stolid and somewhat dull.
( ) so incredibly mind-blowing must be seen to be believed.
( ) fearlessness, and the talent to back up her temerity.
( ) full of stunts that will keep you on the edge of your seat.
(1) singers, and actors to join the cast and contribute to making this show a real blockbuster.
( ) funny, except for the mushy feel-good end.
(2) so incredibly mind-blowing must be seen to be believed.
(4) fearlessness, and the talent to back up her temerity.
(3) full of stunts that will keep you on the edge of your seat.
(1) singers, and actors to join the cast and contribute to making this show a real blockbuster.
(5) funny, except for the mushy feel-good end.
Send – Shoot – Survive – Meet – Pressure – Ask – Request
Near Christmas, drug baron Sollozzo (1) asks Vito to invest in his narcotics business and for protection from the law. Vito declines, citing that involvement in narcotics would alienate his political connections. Suspicious of Sollozzo’s partnership with the Tattaglia crime family, Vito (2) _______ his enforcer Luca Brasi to meet with the Tattaglias. Brasi is garroted to death during the meeting. Later, enforcers gun down Vito and kidnap Hagen. With Corleone’s first-born Sonny now in command, Sollozzo (3) _______ Hagen to persuade Sonny to accept the narcotics deal. Sonny retaliates for Luca’s death with a hit on Bruno Tattaglia. Vito (4) _______ the shooting and is visited in the hospital by Michael, who finds him unprotected after NYPD officers on Sollozzo’s payroll cleared out Vito’s guards. Michael thwarts another attempt on his father’s life but is beaten by corrupt police captain Mark McCluskey. Sollozzo and McCluskey (5) _______ to meet with Michael and settle the dispute. Michael feigns interest and agrees to meet, but hatches a plan with Sonny and Corleone capo Clemenza to kill them and go into hiding. Michael (6) _______ Sollozzo and McCluskey at a Bronx restaurant; after retrieving a handgun planted into the bathroom by Clemenza, he (7) _______ both men dead.
Near Christmas, drug baron Sollozzo (1) asks Vito to invest in his narcotics business and for protection from the law. Vito declines, citing that involvement in narcotics would alienate his political connections. Suspicious of Sollozzo’s partnership with the Tattaglia crime family, Vito (2) sends his enforcer Luca Brasi to meet with the Tattaglias. Brasi is garroted to death during the meeting. Later, enforcers gun down Vito and kidnap Hagen. With Corleone’s first-born Sonny now in command, Sollozzo (3) pressures Hagen to persuade Sonny to accept the narcotics deal. Sonny retaliates for Luca’s death with a hit on Bruno Tattaglia. Vito (4) survives the shooting and is visited in the hospital by Michael, who finds him unprotected after NYPD officers on Sollozzo’s payroll cleared out Vito’s guards. Michael thwarts another attempt on his father’s life but is beaten by corrupt police captain Mark McCluskey. Sollozzo and McCluskey (5) request to meet with Michael and settle the dispute. Michael feigns interest and agrees to meet, but hatches a plan with Sonny and Corleone capo Clemenza to kill them and go into hiding. Michael (6) meets Sollozzo and McCluskey at a Bronx restaurant; after retrieving a handgun planted into the bathroom by Clemenza, he (7) shootsboth men dead.
Example: is all. too script at and safe The not it’s funny > The script is too safe and it’s not funny at all.
Example: The only thing missing was music playing at the background from a movie soundtrack! > The only thing missing was music playing in the background from a movie soundtrack!